Contents:
Variations on
"Pure
Reason"
Tricks
of Language
Transcendental
Meditation
Mythology
Good
and Evil
Holistic
Thought
Paradise
Found?
*
* *
Variations
on "Pure Reason"
Personal
experience--including troublesome dreams through November, 2007--has
clarified an astonishing suspicion:
Whereas
people have long pined for a better world--variously termed New
Republic, Kingdom of God and so on--a rough equivalent has actually
been established by harsh experience over the ages; right before our
oblivious eyes. Folks fail to notice it by talking too much about possibilities
(verbal "conjecture" in short).
Consider the philosophical background. Relatively few thinkers have
questioned the effects of using language on human understanding. (See
especially Ludwig Wittgenstein's PHILOSOPHICAL INVESTIGATIONS (1953).)
Language has long been taken for granted as the valid vehicle of
thought, but alternative approaches have appeared over recent decades.
In
youth, for example, I struggled through Kant's CRITIQUE OF PURE REASON
(abridged transl. 1958). I mostly remember only abstract impressions.
These are now regarded personally among the "purest" forms of
reason--experienced as non-verbal
intuition.
Tricks
of Language
I have
suspected for decades that Americans, especially, have traditionally
tricked ourselves (verbally). We are taught to expect a bad "bogey"--at
some feared depth of the subconscious--which is suppressed accordingly.
In the resulting distortion of reality we are suggestively tempted to become
bad.
Most or all of this comes about, arguably, because people
talk too much (to oneself and
others).
An alternative hypothesis now appears: Naturally obvious reality defies
the expectation when observed--most clearly--with maximum elimination
of distracting/ distorting words. This intuitive state of mind is best
attained with transcendental meditation. (Various techniques,
embellished hereinafter, allow virtual suspension of one's "internal
conversation.") Natural reality then appears remarkably cleansed of the
pure (unadulterated) evil commonly expected by folks taking the BIBLE
too literally.
Humans
habitually deduce such horrors--verbally--from what Plato's REPUBLIC
calls our "lower" mental faculties of "conjecture and belief" (in his
Riddle of the Line introduced at the close of Book 6). These lower
faculties demonstrably generate no more than verbal opinions:
like common pessimism that the world is worse than it more wondrously
appears when intuited--transcendentally--beyond addictive language.
It now seems that most people virtually invent verbally a
nightmarishly "fantasy" world; and tend to make
it worse with "self-fulfilling prophesy." *
__________
*Transcendental
exploration of my subconscious has generated another unusual hypothesis
(opinion): We humans continuously "create" reality in a
surprising way. Our cognitions (verbal and non-verbal) take actual
shape as imprinted on the
plastic flux of a surrounding "ethereal" dimension of physical reality
(inter-penetrating invisibly the familiar world). Seriously personal
probing, along these lines, has been sustained by prolonged study of
such (sometimes "occult") sources as Carl Jung's "Psychological
Commentary" on THE TIBETAN BOOK OF THE DEAD. See also Joseph Pearce,
THE CRACK IN THE COSMIC EGG (1960's); and Claudio Naranjo, THE ONE
QUEST (from around that same decade of exploratory self-discovery).
Even
our dreams become real, therefore, in this enhanced
sense. We literally slip into
the higher dimension during nightly sleep--and when
dreaming-while-awake; as in the transcendental "vision quest" of Plains
Indians reported famously by Neihardt, in BLACK ELK SPEAKS (1930'S).
See also anthropologist Carlos Castaneda's astounding JOURNEY TO
IXTLAND (around 1970, reporting hair-raising lessons from
Mexican-Indian shamans). Compare the "power" poem, "Ode to a
Nightingale," written by John Keats upon emerging from a beautiful
enchantment: "Do I wake or sleep?"
See next Joseph Campbell's mid 20th-Century classic, HERO WITH A
THOUSAND FACES (scholarly compilation of commonly
transcendental--"peak"--experiences; including the "shaman's journey"
into ever higher dimensions).
Campbell's CREATIVE
MYTHOLOGY later
indicated that humans continually replenish an active store of global
mythology. It processes collected experience over the ages into
instructively suggestive, "archetypal" forms. These then provide an
abstract "script," which people live out--dramatically--in the
replenishing experiences of everyday life.
Remember finally the
prototypical advice
of Socrates--"know thyself"--for a very pragmatic reason, as it turns
out.
__________
In any event,
evidently, tricky language ordinarily prompts people to imaginatively
analyze primal reality into such "incompletions" as "evil" and
"falsehood." (Spinoza suggested something like this centuries ago.)
It
seems that language leads us ever deeper into artificial distinctions:
like "pure good or pure evil" and "all-true or
all-false," for example, along with another tricky one--"mind versus
matter." People then mistake such words for primary reality
itself--rather than (separately real but approximating) representations
of it. (The mistake is compounded by primitive "either/or" logic.)
These
verbal distortions of reality exemplify how that bad "bogey"
mentioned at the outset is imagined--and indeed actualized as we
torment ourselves with its fearful specter.
Transcendental
Meditation
It allows
one to (more or less) suspend the verbalizing habit (a lifelong
addiction usually taken for granted). Spontaneously then, the rest of a
human mind tends to kick in with archetypally
universal insights--beyond
divisibly verbal "speculations."
The raw "wholeness" of natural reality is thereby intuited--as an
"aesthetic continuum"--through what Plato's REPUBLIC calls our "higher"
faculties of "reason and understanding" (again in his great "Line"
riddle introduced at the close of Book 6).
These
"faculties" typically appear in modern translations as "affections of
the soul." My exploratory meditations have confirmed Plato's indication
that the higher ones generate knowledge--intuited
beyond words--whereas the lower ones ("conjecture and belief") are
structurally limited to verbalizing opinion.
The lower tend to drown out the higher ones though, as humans
habitually preoccupy ourselves with beguiling words. These were called
"shadows of reality" in Plato's accompanying Allegory of the Cave (Book
7).
Words are evidently no more than that--notably as they stream
through subliminal consciousness--persistently like a "stuck record."
Through meditation one can struggle to stop that "internal
conversation"--long enough to start experiencing natural reality in whole
gulps--beyond the distorted/ distracting fragmentations imposed by
verbal groupings and distinctions.
Doing this does hurt of course, like withdrawal from any
narcotic--along a "razor's edge" of the nervous system. The strain
shifts toward increasing bliss though, once the internal chatter is
really stopped.*
__________
*The
raw ingredients of cognition itself begin to appear--as one launches a
descent into the subconscious--down to the dream
images streaming through a
foundational level (rather like a continuous "movie"). These
"elemental" images were analyzed scientifically by Carl Jung as
"archetypes;" programmed into the very sinews of a human mind. (See
generally Jung et al., MAN AND HIS SYMBOLS (mid 20th-century classic).)
They are indeed revealed through dreaming--more sharply while one is
still awake; during meditation.
One can then witness how these fleeting "building blocks" of experience
are constantly re-composited into the variegations of
consciousness--notably as thoughts, perceptions and imagination.
__________
By thus watching
the anatomy of one's own mind,
in action, a degree of self-control is attainable over what the
stream-of-consciousness will impart to personal understanding. One can,
for example, see
how language inexorably chops experience up--into discrete
"objects"--and yet how to peer through a resulting "screen" of divisive
words into the contrasting continuum of raw reality beyond. For
example, people pragmatically label objects among our natural
preferences for good over bad experience. (The word "evil" has thus
emerged evidently as a construct. More on this later.)
Mythology
Verbal labels are
thus congealed--from a flowing continuity--as real things, yes; but
secondarily artificial and separate from the raw reality they roughly
represent. Words obviously mirror that primal reality imperfectly.
Indeed they distort it drastically for endless reasons: again, for
example, to identify objects and preferences. Language also colors and
blunts reality, with euphemisms and other dodges.
People
use language to imaginatively dramatize dynamics transpiring in primary
reality. Natural and social events are made more manageable by
fictional scenarios--dogmas notably--and familiarized by cliches,
stereotypes and other glosses. Gossip too. Folks fool themselves
mightily during days of continuous verbalization--consuming chatter!
Natural
reality is nonetheless altered in these ways to permit ritualized
routines; softened and made more malleable. Nature's gift of language
thus affords a modicum of human "control" over itself; which animals
lack. The trouble is that constantly confounding words wag our
intuitions about what is really going on; primarily.
The
trouble has been inevitable though. Humans started learning long ago to
label their innate instincts, intuitions and preferences. These
constituted their primitive "animal" savvy. This then became a
non-verbal element for ensuing mythology. It has evidently emerged in
turn as an active process--whereby that savvy is translated into the
(fictional) forms of (conjectural) language (as fantasies). Human
experience over the ages has been collected thereby into symbolic
suggestions for living out dramatically the resulting myths.
Another
hypothesis follows. Global mythology has devolved into
religion (and philosophy) as
verbal approximation toward lessons imparted by primordially
preferential/ instinctive intuition--which in its vague way remains
more realistic than the illusory "certitude" of verbal definition.
Good
and Evil
Now consider a
really pivotal hypothesis. It appears that "pure" evil is the product
of a fictional dramatization. It has been superimposed by western
(religious) mythology upon a natural reality that defies the label when
intuited non-verbally.
Orientals
obviously came closer to understanding how "opposites" really interface
with one another--especially without any sharp ("either/or") division
between "pure" evil and good, for example. The oriental picture of "yin
and yang" would blend and balance
them--in accordance with a more natural (triangulating) logic. The
eastern variation might be termed "both/ and . . ."